Koreanfilm.org Critics Poll
2004 · 2005 · 2006
Why goldfish? Fans of Korean cinema will notice, if they watch closely, that practically every single Korean film that was ever made has a fishtank in it somewhere. From Shiri to The Power of Kangwon Province to the granddaddy fishtank of them all found in Raging Years, fish and fishtanks appear with a frequency that seems far too great to be mere coincidence. I've never heard a convincing explanation for this phenomenon, but it exists, and in honor of this we will use goldfish in place of stars in our Koreanfilm.org critics poll. The following scores are based on a 5-fish scale.
These critical scores have been collected from contributors to the site or the discussion board, and are presented so that readers can get a quick range of opinions on a certain film. Of course, reducing the complexity of a full-length feature down to a mere collection of points is a huge disservice to the film, and the very short comments that go next to the scores are unlikely to help much. Also, one's opinion of a film can naturally change over time, so these scores won't reflect how well a film ages. In other words: please don't read too much into these scores, consider them just an informal conversation starter.
The Art of Fighting | ||
Paolo Bertolin | Has an extra punch that overcomes conventions. Baek+Jae=great! | |
James Brown | Multi-tonal coming of age yarn lacks the knockout flying kick. | |
Darcy Paquet | A somewhat bleak film that's easier to admire than to enjoy. | |
Cinderella | ||
Mark Russell | Bong Man-dae makes the best bad movie of the year (again). | |
Forbidden Quest | ||
Tom Giammarco | Drags a little by the end, but a good story. | |
Darcy Paquet | Engaging and creative, but this film has serious pacing problems. | |
Grain in Ear | ||
Paolo Bertolin | Depressive tale crafted following "The Artsy Chinese Film Manual." | |
Darcy Paquet | Perhaps a little too meditative, but highly memorable. | |
Hanbando | ||
Darcy Paquet | Stupid stupid stupid. | |
Holiday | ||
Tom Giammarco | Lots of potential as a social commentary. Good casting. | |
Darcy Paquet | Story has real potential, but directed like a cheap action flick. | |
The Host | ||
James Brown | Plunge into the murky depths of barely functional family relations. | |
Darcy Paquet | More than anything, a fabulously crafted, original film. | |
Mark Russell | Great for most, but so-so for Bong Joon-ho. A few silly scenes. | |
The Magicians | ||
Paolo Bertolin | Best Song Il-gon since Flower Island. | |
Davide Cazzaro | Another outstanding confirmation of Song's talent. | |
Tom Giammarco | I loved the style and storytelling technique. | |
Darcy Paquet | Very touching, and tastefully crafted. Ends perfectly. | |
Mark Russell | Very lo-fi, but a strong story. Amazing technique. | |
My Boss, My Teacher | ||
Tom Giammarco | Annoying. I hated it throughout its long running time. | |
Darcy Paquet | X | I've had dentist appointments that were more fun. |
My Scary Girl | ||
Darcy Paquet | The power of low-budget, HD comedy. | |
The Peter Pan Formula | ||
Paolo Bertolin | Compelling, fascinating and disturbing: the best debut of 2004. | |
Darcy Paquet | A moody, puzzling film with real personality. | |
Ssunday Seoul | ||
Tom Giammarco | Would have been better off without the second story. | |
Davide Cazzaro | Collateral effects of Korean commercial cinema. | |
See You After School | ||
Paolo Bertolin | Refreshing comedy relying on Bong Tae-gyu's top-notch performance. | |
Darcy Paquet | A refreshingly well-crafted, nuanced silly comedy. | |
Silk Shoes | ||
Paolo Bertolin | Seems not to know how to end, yet engaging and thought-provoking. | |
Darcy Paquet | A nice idea that steadily loses momentum. | |
Woman on the Beach | ||
Darcy Paquet | Hong on a roll. | |
Mark Russell | Best Hong film since Turning Gate. Maybe even better. | |
The Aggressives | ||
Tom Giammarco | Good stunts. Flat, uninteresting characters. | |
Kyu Hyun Kim | Almost a science fiction about Korean urbanites. Fascinating. | |
Darcy Paquet | Has technical flair, but none of the poetry of Take Care Of My Cat. | |
All For Love | ||
Tom Giammarco | A cross-section of Korean society. Reminiscent of Short Cuts. | |
Elif Kaya | Good cast but none of the stories moved me. | |
Darcy Paquet | Completely different genre, but worthy follow-up to Memento Mori. | |
Another Public Enemy | ||
Tom Giammarco | Not a bad action movie but LONG. I kept checking my watch. | |
Elif Kaya | Neither as fun nor brilliant as its prequel. | |
Darcy Paquet | Suffers from a lack of efficiency. | |
Antarctic Journal | ||
Paolo Bertolin | Tries too many paths and loses its way: a wasted chance. | |
James Brown | Overlong, but an audacious effort with spine-chilling moments. | |
Tom Giammarco | Expected so much more. Curse of the Korean blockbusters resumes. | |
Adrien Gombeaud | Left me cold. | |
Elif Kaya | It is neither here nor there, lukewarm. | |
Kyu Hyun Kim | Should have gone the Herzog-Kinski route, perhaps? | |
Darcy Paquet | Starts off nice, but then loses its compass. | |
April Snow | ||
Davide Cazzaro | Sadly enough, Hur's weakest film to date. | |
Adrien Gombeaud | A new melodrama by one of Korean cinema's most delicate talents. | |
Elif Kaya | Be cautious unless you like Hur or either of the stars. | |
Darcy Paquet | An interesting film about a boring couple. | |
Mark Russell | Beautiful, young and tragic -- a soap-opera story without depth. | |
Beast and the Beauty | ||
James Brown | Zany stupidity with a fuzzy center. Hinged on too few great moments. | |
Elif Kaya | Delightful, well acted and predictable rom com. | |
Darcy Paquet | Nice actors, but a very frustrating lack of originality. | |
A Bittersweet Life | ||
Paolo Bertolin | Kim's lavish visuals enriched by full-fledged dramatic consistency. | |
James Brown | Gangsters in the arthouse turn out to be all thumbs. | |
Filmbrain | Genre flick with lofty aspirations. Entertaining, but little more. | |
Tom Giammarco | Stylish violence and excellent characterizations. | |
Elif Kaya | Very stylish but trying too hard. | |
Kyu Hyun Kim | A box of bon-bons, with red cherry liqueur inside. | |
Darcy Paquet | Movie to show friends who liked Old Boy. | |
Mark Russell | Slick-looking but empty, with endless, pointless violence. | |
Blood Rain | ||
Paolo Bertolin | Plot-wise far-fetched, yet holds momentum thanks to its cleverness. | |
James Brown | Well narrated but terribly grave. Required a more personable lead. | |
Tom Giammarco | Lots of care went into sets & costumes/Good story but wrong actor. | |
Elif Kaya | Gory, great sets & costumes, no suspense though. | |
Kyu Hyun Kim | A solid period mystery, not as absorbing as it should be. | |
Darcy Paquet | An exquisite-looking meal that leaves you with a stomachache. | |
Blossom Again | ||
James Brown | Thoughtful, but, just like complex mathematics, quite impenetrable. | |
Darcy Paquet | An introspective and surprising melodrama that runs deep. | |
Blue Swallow | ||
James Brown | A great story told well, but overly ambitious as blockbuster stuff. | |
Darcy Paquet | A film with obvious strengths and puzzling weaknesses. | |
Mark Russell | Great visuals and f/x, but TV-drama depth. | |
A Bold Family | ||
Tom Giammarco | Schizophrenic film. Didn't expect much, wound up loving it. | |
Darcy Paquet | Not plagiarized from Goodbye Lenin, but not a match for it either. | |
The Bow | ||
Paolo Bertolin | Feels like a mild "best of" for festivals and Western audiences. | |
Tom Giammarco | A weak mix of any two KKD films. | |
Elif Kaya | The Kim we know and love. | |
Darcy Paquet | Kim Ki-duk on autopilot. | |
Brainwave | ||
Tom Giammarco | Enjoyable low-budget sci-fi but its vision was beyond its budget. | |
Adrien Gombeaud | Now I know why Terminator was not shot with a handycam. | |
Cello | ||
Tom Giammarco | X | The ending is so confusing, but just be glad it ends. |
Cracked Eggs & Noodles | ||
Tom Giammarco | Good acting by leads/interesting development of dad/son relations. | |
Darcy Paquet | Ugh. Really rubbed me the wrong way. | |
Crying Fist | ||
Paolo Bertolin | Loses height with the overemphatic finale. Choi and Ryoo are a KO. | |
Tom Giammarco | Ryoo Seung-beom's acting elevates the film from good to great. | |
Adrien Gombeaud | Hurts so good. | |
Elif Kaya | Wonderful storytelling, highly recommended. | |
Kyu Hyun Kim | Ryoo Brothers deliver a sucker punch. Seung-beom is amazing. | |
Darcy Paquet | Gives the boxing film genre a punch in the ribs. | |
Daddy-Long-Legs | ||
Paolo Bertolin | Ridiculously cliched and way, way too long... | |
Adam Hartzell | Legs is something this film does NOT have. | |
Duelist | ||
James Brown | Memorably wacky & colourful with a stunningly gorgeous finale. | |
Tom Giammarco | Would like to see this beautiful film again but with the sound off. | |
Darcy Paquet | The biggest disappointment of 2005, despite its visuals. | |
Empress Chung | ||
Tom Giammarco | Disney cliches meet dusty legend. OK for very young children. | |
Darcy Paquet | A well-intentioned South-North co-production that lacks energy. | |
Feathers in the Wind (Git) | ||
Paolo Bertolin | Light as a feather, a small film often touched by grace. | |
James Brown | Lovingly crafted, visually splendid, sensual & engaging. | |
Davide Cazzaro | Definitely one of the best Korean films produced in 2004. | |
Tom Giammarco | Beautiful images, expertly paced story and interesting characters. | |
Elif Kaya | Calm, romantic and poetic, a must see. | |
Darcy Paquet | Korea's freshest screen romance in a very long time. | |
Mark Russell | Nice little film, but nothing special. | |
Geochilmaru: The Showdown | ||
James Brown | Energetic but lacking the striking vision of a hot new talent. | |
Tom Giammarco | Fun update of old martial arts films. Great fighting sequences. | |
Adrien Gombeaud | Alive and kicking! | |
Kyu Hyun Kim | Only Koreans could make this wickedly charming slugfest. | |
Darcy Paquet | Engaging, fun, exciting low-budget martial arts. | |
A Great Actor | ||
Paolo Bertolin | MASTERPIECE!!! | |
Green Chair | ||
Paolo Bertolin | Asks the right questions in the proper manner. Heart-warming sex. | |
Davide Cazzaro | Good development of the story and fresh ideas. A little long. | |
Filmbrain | Daring, unconventional, sexy, and full of unexpected pleasures. | |
Tom Giammarco | This would have been much better as a short film. Last 20 mins good. | |
Adam Hartzell | Park peeps behind the Green Chair and finds more Park particulars. | |
Elif Kaya | Entertaining with lots of messages. | |
Darcy Paquet | Irreverent and obnoxious, but still very touching. | |
If You Were Me 2 | ||
Tom Giammarco | Arguably better than the original. Tightly focused storytelling. | |
Darcy Paquet | A well-formed omnibus (which is rare). Jung Ji-woo's is my favorite. | |
Innocent Steps | ||
Tom Giammarco | Disappointing and cliche. | |
Darcy Paquet | I wish the screenwriter had just let them dance. | |
Jenny, Juno | ||
Tom Giammarco | Treats the subject of early-teen pregnancy much too lightly. | |
Kyu Hyun Kim | Good Lord. Makes Blue Lagoon look like Umbrellas of Cherbourg . | |
Elif Kaya | Stylish, feel good film, not much else is there though. | |
Darcy Paquet | I was enjoying this movie, and then I started to hate it. | |
King and the Clown | ||
James Brown | Balances Dae Jang Geum's melodrama with the slapstick of Duelist. | |
Tom Giammarco | Some great acting and excellent costumes/set. | |
Darcy Paquet | Engaging script, great acting, visually and cinematically flat. | |
Little Brother | ||
Paolo Bertolin | A cutthroat premise developed with laudable sensitivity. | |
Tom Giammarco | If you like tearjerkers, this one is for you. | |
Long and Winding Road | ||
Tom Giammarco | Could have been so much better. Lacked emotional impact. | |
Mapado | ||
Paolo Bertolin | Formulaic characters and contrived plot. Obnoxious and trivial. | |
James Brown | Tiresome 'sisterhood' reworking of Hi Dharma. | |
Tom Giammarco | Need to turn off your brain to get through this comedy. | |
Elif Kaya | Entertaining, but don't expect much. | |
Marathon | ||
Paolo Bertolin | Typical Korean woman-basher: it's all mum's fault! Cho overdoes it. | |
Tom Giammarco | Excellent performances shine in this touching story. | |
Elif Kaya | Your basic life melodrama with a good lead, nothing new here. | |
Kyu Hyun Kim | Surprisingly tough, too bad the climax turns overly manipulative. | |
Murder, Take One | ||
James Brown | Sparkling, super-polished genre blender throws in a spanner too many. | |
Tom Giammarco | Intense acting by Shin. Like Law & Order but with fresh ideas. | |
Darcy Paquet | Lots of great moments, but lacks the form of Jang's better films. | |
My Boyfriend is Type-B | ||
Tom Giammarco | Couldn't stand the characters. No chemistry between the leads. | |
Elif Kaya | Lacklustre rom com, only if you like any of the lead actors. | |
Darcy Paquet | How about that Lotte product placement? | |
Possible Changes | ||
Davide Cazzaro | Former assistant to Hong Sang-soo tried to make a Hong film. | |
Tom Giammarco | Somber, depressing, stagnant and pointless. | |
Darcy Paquet | Maybe I missed something. I don't think so. | |
The President's Last Bang | ||
Paolo Bertolin | Im knows how to dare, and his ambition and bravery deserve praise. | |
James Brown | Hip, intrepid piece but its irreverence is just a touch too zealous. | |
Davide Cazzaro | Witty, provocative and mordent. A "must not miss" Korean film. | |
Filmbrain | Brilliant political satire that easily ranks with the best. | |
Adrien Gombeaud | A solid political thriller and a delightful satire. | |
Elif Kaya | Great visuals, wonderful cast, a must see. | |
Darcy Paquet | Baek Yoon-shik is a god, and Im Sang-soo is a master. | |
Mark Russell | Maybe not great history, but a great film. Dark and funny. | |
Boris Trbic | Undressing fascism can be fun. Gloomy and entertaining. | |
Princess Aurora | ||
James Brown | Gorily promising, but marred by a cop out ending. | |
Kyu Hyun Kim | Left-wing (?) pro-death penalty (?) vigilante (?!) thriller (?!?). | |
Darcy Paquet | Campy, but played too seriously to be any fun. | |
Reading or Feeding | ||
Tom Giammarco | Complex story expertly handled by director/Interesting camera work. | |
Red Eye | ||
Tom Giammarco | An embarrassment to ghosts everywhere. | |
Kyu Hyun Kim | No Oriental Express, but I rather fancied the train setting. | |
Darcy Paquet | Nice cast, but none of the emotions in the film hit home. | |
The Red Shoes | ||
Tom Giammarco | Kim Hye-su is excellent/Plot has many holes but manages to scare. | |
Elif Kaya | Stylish, moody, and artistic. | |
Kyu Hyun Kim | The shoes are, uh, pink. At least Kim Hye-su dances to her tune. | |
Darcy Paquet | An A for style, a C- for enlightened creativity. | |
Road | ||
Davide Cazzaro | Nothing very new but Bae Chang-ho shows his talent and experience. | |
Tom Giammarco | Great cinematography & story. Not perfect due to lead actress. | |
Darcy Paquet | Its slow-building emotional power is its greatest strength. | |
Sad Movie | ||
Elif Kaya | Only if you like melodrama. | |
Darcy Paquet | Glossy packaging, but feels very calculated. | |
Shadowless Sword | ||
Darcy Paquet | Meat-and-potatoes martial arts. At least the pacing is tight. | |
Mark Russell | Trite story, lame martial arts. Goofiest hair of all time. | |
She's On Duty | ||
Elif Kaya | Don't expect what you see on the DVD cover. | |
Short Time | ||
James Brown | Overlong, but hilarious at times and ultimately earns viewer empathy. | |
Tom Giammarco | Rather bland comedy. Choi Seong-Guk is surprisingly good here. | |
Darcy Paquet | Trashy, but surprisingly fun. Cutest kid in 2005. | |
Spying Cam | ||
Paolo Bertolin | Korean political background, yet universal ethics in a great film. | |
Darcy Paquet | Made with passion but not quite as much precision. | |
Sympathy for Lady Vengeance | ||
James Brown | Powerful, even if somewhat mired in clever, expressive abstraction. | |
Davide Cazzaro | Is the "PCW-style" at risk of becoming a victim of its own success? | |
Tom Giammarco | Great film despite the simple black-and-white characters. | |
Elif Kaya | Weakest of the trilogy but still a good watch. | |
Darcy Paquet | Quirky, introspective, harrowing. A bit lopsided, but it works. | |
Mark Russell | PCW's talents wasted on his weakest film to date. Silly and shallow. | |
Tale of Cinema | ||
Paolo Bertolin | An utter disappointment. Is Hong running out of inspiration? | |
Adrien Gombeaud | One of the few inteligent films on cinema. | |
Elif Kaya | The Hong you know and love. | |
Darcy Paquet | Do I detect a tiny glimpse of optimism in this film? | |
Mark Russell | ..ooOOoo....ooOOoo... Love that zoom. Dull and uninspired. | |
This Charming Girl | ||
Davide Cazzaro | Probably the best debut of 2004. Let's keep an eye on Lee Yoon-ki. | |
Filmbrain | Small, quiet, subtle. The kind of film we need to see more of. | |
Tom Giammarco | Amazing film giving intricate details of the life of one woman. | |
Adrien Gombeaud | She walks in beauty. | |
Adam Hartzell | Not a jumped-up postal girl, but an intriguing character study. | |
Elif Kaya | Very effective in a quiet way, brilliant actress. | |
Kyu Hyun Kim | Finally, a filmic antidote to the "YOU WANNA DIE?" Sassy Girls. | |
Darcy Paquet | A quiet but strong film. Kim Ji-soo is worth following. | |
Typhoon | ||
James Brown | Solid multi-national chase movie collapses under woeful histrionics. | |
Darcy Paquet | Good try, but this is a film without a soul. | |
Mark Russell | Respectable looking, even if nothing makes any sense. | |
The Unforgiven | ||
Elif Kaya | Good story, great acting but an uncomfortable, bad rhythm. | |
Kyu Hyun Kim | His military buddy is not okay and that's real Korean man for ya. | |
Voice | ||
Tom Giammarco | Good drama, few scares. | |
Kyu Hyun Kim | Sotto voce, but thoughtful, disturbing and ultimately very sad. | |
Darcy Paquet | Has many flaws, but the core story is interesting. | |
A Wacky Switch | ||
Elif Kaya | Suprisingly entertaining, no body soul exchange here. | |
Wedding Campaign | ||
Elif Kaya | Nothing special, US version was much better. | |
Darcy Paquet | Captures the men's point of view well, but not the women's. | |
Welcome to Dongmakgol | ||
James Brown | Tries too hard to please everyone, resulting in a flat finish. | |
Davide Cazzaro | Ups and downs and quite long but some parts are really powerful. | |
Tom Giammarco | Technically well done. Wished it could have been more fantasy. | |
Elif Kaya | Cute and impossible to hate despite its obvious flaws. | |
Darcy Paquet | This is how you should make a Korean blockbuster. | |
Mark Russell | Really great first half, but loses its way later on. | |
The Wig | ||
Kyu Hyun Kim | The wig itself is scary enough. Silly resolution, as always. | |
Darcy Paquet | Actresses are great, but done in by over-intellectualized ending. | |
The Windmill Palm Grove | ||
Kyu Hyun Kim | Wonderful local color compensates for boring love story. | |
Darcy Paquet | Rural, working class Korean woman turned into Madame Butterfly. | |
You Are My Sunshine | ||
James Brown | A far more successful rendering of a bittersweet life. | |
Kyu Hyun Kim | Magically transforms sap into amber. | |
Darcy Paquet | Melodrama with rough edges, from a future directorial star. | |
3-Iron | ||
James Brown | Film school ideas assembled by an increasingly skilled minimalist. | |
Davide Cazzaro | The "silent" and impressive surprise of Venice Film Festival 2004. | |
Filmbrain | Tailor-made for international art-house set. Sumptuous, but shallow. | |
Tom Giammarco | A restrained Kim Ki-duk film. His best in years. | |
Adrien Gombeaud | Kim invites you to a fascinating ritual. | |
Adam Hartzell | Pretty to look at, but otherwise as ephemeral as Jae's character. | |
Elif Kaya | One of Kim's best and a must see. | |
Boris Trbic | Based on an interesting premise. Too sweet, thin. | |
100 Days With Mr. Arrogant | ||
Elif Kaya | X | Stay away. |
Darcy Paquet | X | Waste of good film stock. |
Arahan | ||
James Brown | Fun, but nothing more. What is up with that guttural roar?! | |
Davide Cazzaro | Funny. For the first ten minutes. | |
Tom Giammarco | Light recreation of a comic book. Fun, but drags in parts. | |
Adrien Gombeaud | Ryu Seungwan frozen in his own CGI. | |
Adam Hartzell | Close, but no sequel. | |
Elif Kaya | Been there, done that but still enjoyed the ride. | |
Au Revoir, UFO | ||
Adam Hartzell | The two Lee leads do their best to add a fish ranking. | |
Elif Kaya | Sweet but it lacks a certain something. Only if you have time. | |
The Big Swindle | ||
Elif Kaya | Fun film with a great cast and a high tempo. | |
Bunshinsaba | ||
Davide Cazzaro | X | A new (?) horror (?) by director Ahn Byung-ki? Yes, unfortunately. |
Tom Giammarco | Nothing new. | |
Adrien Gombeaud | X | Looks like a spoof but it's not. |
Elif Kaya | So so effort, only to lovers of the genre. | |
Kyu Hyun Kim | Could have been a classic if it were only a little loonier. | |
Clementine | ||
Adam Hartzell | X | The bottom has been hit. |
Tom Giammarco | Proves Seagal can make bad movies internationally. | |
Dance With the Wind | ||
Tom Giammarco | Lacks the punch it needed to make it truly good. | |
Elif Kaya | A watchable failure. | |
Desire | ||
Adrien Gombeaud | Pretentious. | |
Adam Hartzell | Gutsy, got to give it up for that. | |
Darcy Paquet | Confession time: I loved this movie. | |
The Doll Master | ||
Tom Giammarco | Fun if you don't think about how ridiculous the plot is. | |
Don't Tell Papa | ||
Tom Giammarco | About as bad as they come. Truly horrible father. | |
Everybody Has Secrets | ||
Tom Giammarco | Could have developed the characters better but not bad. | |
Adrien Gombeaud | Good script, good actors, but director is missing. | |
Adam Hartzell | It's no secret this film was a pleasurable comedy. | |
Elif Kaya | Fun, sexy and enternaining, don't expect more though. | |
Kyu Hyun Kim | Heartily recommended to Lee Byung-hun fans. The rest beware. | |
Face | ||
Tom Giammarco | Disappointing. The ghost seemed like an afterthought. | |
Elif Kaya | Well meaning, but useless. | |
A Family | ||
Davide Cazzaro | A good debut feature with a perfect cast. | |
Adam Hartzell | If ending's sappiness were toned down a tad, a perfect melodrama. | |
Tom Giammarco | Made to manipulate your emotions. Succeeds in doing so. | |
Elif Kaya | One of the best melodramas I have ever seen. | |
Fighter in the Wind | ||
Tom Giammarco | Starts well but characters fail to develop fully. | |
Adam Hartzell | Like the wind, this passes you by quickly. | |
Elif Kaya | Don't expect action or suspense. | |
Kyu Hyun Kim | Laughable history meets Stone Age martial arts flick cliches. | |
Flying Boys | ||
Adam Hartzell | I still carry valuable pieces from this unsatisfying whole. | |
Tom Giammarco | Interesting story. Accurate portrayal of young adults. | |
Elif Kaya | Non melodramatic and effective in its storytelling. | |
Kyu Hyun Kim | Earnest and warm-hearted but ultimately drags its feet. | |
Foolish Game | ||
James Brown | Genuine, composed, wry -- and persistently irritating. | |
Adam Hartzell | Indeed. | |
The Ghost ("Ryung") | ||
Tom Giammarco | Would have given it higher points but the ending was confusing. | |
Ghost House | ||
Tom Giammarco | Couldn't hold my interest. Took two tries to get through it. | |
Elif Kaya | Too much CGI, not enough script. | |
Hi Dharma 2 | ||
James Brown | Funnier and more coherent than the high concept original. | |
Darcy Paquet | As sequels go, a decent effort. From the monks' POV this time. | |
How to Keep My Love | ||
Tom Giammarco | Even the cuteness of Kim Jung-eun could not save this movie. | |
Elif Kaya | Don't bother. | |
Hypnotized | ||
James Brown | An eye-catching staircase leading nowhere. | |
Tom Giammarco | Takes some patience to get through but ultimately worth it. | |
Elif Kaya | A wonderful bad film. | |
Kyu Hyun Kim | Visually stunning but the "mystery" goes nowhere fast. | |
Ice Rain | ||
Adam Hartzell | Falters early on in its climb. | |
Love So Divine | ||
Elif Kaya | Don't bother unless you are a fan of either lead. | |
Tom Giammarco | Follows the usual rom-com blueprint to perfection. | |
Lovely Rivals | ||
James Brown | Spirited idea, but the story progressively loses focus. | |
Tom Giammarco | Would have been better if they had cut out most of the comedy. | |
Low Life | ||
James Brown | Likably conventional. | |
Filmbrain | A more accessible Im, but emotionally flat. | |
Tom Giammarco | Tries to cover too great a time period. | |
Adrien Gombeaud | Complex, dark portrait of the post-war era. Im's most personal film. | |
Adam Hartzell | Im Kwon-taek hits a low point. | |
Elif Kaya | Mediocre. | |
Darcy Paquet | I think Im was trying to prove too much in this film. | |
A Moment to Remember | ||
Tom Giammarco | Watch only if you are in the mood to cry. | |
Elif Kaya | Must see if you are into melodrama. | |
Kyu Hyun Kim | You get to see the dental work in Son Ye-jin's molars. | |
Darcy Paquet | Very, very slick. I hated it. | |
Mr. Gam's Victory | ||
James Brown | Frivolous, but extremely likeable and wonderfully photographed. | |
Tom Giammarco | Well-told character-driven sports story. | |
Adam Hartzell | A pleasant day at the ball park. | |
Mr. Handy | ||
Elif Kaya | Lovely female lead makes this humble rom com watchable. | |
Tom Giammarco | An unpredictable, mature romantic comedy is a nice change. | |
My Brother | ||
James Brown | Taegukgi for the bullet shy. | |
Tom Giammarco | Interesting family dynamics. Heavy on melodrama. | |
Elif Kaya | Your usual Korean melodrama (meaning it's good). | |
My Generation | ||
Davide Cazzaro | Alienation of the young generation. New? No, gloomy and uninspired. | |
Adam Hartzell | This film has grown on me more and more. | |
Tom Giammarco | Interesting use of cameras. Realistic, but frustrating characters. | |
Darcy Paquet | This director's short films show greater vision and creativity. | |
My Little Bride | ||
Elif Kaya | Cute leads, funny story, better than the original. | |
My Mother, the Mermaid | ||
James Brown | Bittersweet fantasy that occasionally dives a little too deep. | |
Filmbrain | Some nice performances in an otherwise standard romantic drama. | |
Tom Giammarco | Good acting in a generally underrated movie. | |
Elif Kaya | Gains a lot from the lovely lead actress' superb performance. | |
Kyu Hyun Kim | Jeon Do-yeon is magnificent. Wish the film had stronger legs though. | |
Once Upon a Time in HS | ||
Filmbrain | Gripping, brutal, but heartfelt portrait of youth. | |
Tom Giammarco | Good story but the brutality of the fight scenes left me cold. | |
Adrien Gombeaud | A teen film, a historical drama, a political satire, and more... | |
Adam Hartzell | And I thought Calculus was hard. | |
Elif Kaya | Solid coming of age story, raw fight scenes, nostalgia. | |
Kyu Hyun Kim | Not as slyly ironic as Yu Ha's Marriage. Still enjoyed it greatly. | |
The President's Barber | ||
Adam Hartzell | Song Gang-ho AND Moon So-ri? You expected much more. | |
Elif Kaya | Strangely offending in its cuteness in the second half. | |
R-Point | ||
Adam Hartzell | War films/Horror films, my least fave genres, so an uphill battle. | |
Elif Kaya | The horror is not effective, but it has other worthwhile qualities. | |
Kyu Hyun Kim | Fine ensemble acting propels a straightforward Viet Nam horror. | |
Tom Giammarco | Horror of war and ghosts from the past make for a good film. | |
Repatriation | ||
James Brown | Astonishingly soulful, intelligent & self-aware personal document. | |
Davide Cazzaro | An outstanding, unforgettable work. Don't even think to miss it. | |
Adam Hartzell | Saved the year from being a complete toss off. | |
Kyu Hyun Kim | Compassionate, open-minded, liberal in the best sense of the word. | |
Rikidozan | ||
Davide Cazzaro | Subtitle: A Hero Extraordinary. not the film, though. | |
Tom Giammarco | First viewing disappointing, second was better. | |
Darcy Paquet | Interesting lives don't always make interesting movies. | |
Romance of Their Own | ||
Tom Giammarco | Got attention because of the actors. Watch only if you're a fan. | |
Elif Kaya | Not worth your money. | |
Darcy Paquet | Not a bad start, but completely loses it at the end. | |
S Diary | ||
James Brown | Subtle Diary it ain't. Very pushy and totally awry. | |
Elif Kaya | Starts to smell towards the end, but still enjoyable. | |
Tom Giammarco | Childishly cute 'revenge' movie. Character motives unclear. | |
Samaritan Girl | ||
James Brown | Provocative, obscure, and a little silly: KKD at his most sincere? | |
Davide Cazzaro | Quite underrated. One of Kim Ki-duk's best. | |
Tom Giammarco | Could not identify with the characters at all! | |
Adrien Gombeaud | A simple film about loving and growing up. | |
Elif Kaya | Might be a good introduction to Kim, my least fave. | |
Boris Trbic | Cliched and pretentious. Early Fassbinder it is not. | |
The Scarlet Letter | ||
James Brown | Pathetic indulgence of a cine-theorist in search of an audience. | |
Davide Cazzaro | You can study film wherever but if the inspiration lacks... | |
Filmbrain | Gratuitous male fantasy. Laughably awful. | |
Tom Giammarco | The never-ending trunk scene ruined this movie. | |
Elif Kaya | Nicely directed, tidy and well acted (but mysogynist). | |
Kyu Hyun Kim | Well-acted but wholly unpleasant. A genuinely decadent film. | |
Shin Sukki Blues | ||
Tom Giammarco | Dull body-switch movie. | |
Elif Kaya | Nothing special. | |
Shit Up! | ||
James Brown | Screwy redemption-themed comedy with poor script and execution. | |
A Smile | ||
Adam Hartzell | I hope Choo Sang-mi gets more leading roles. | |
So Cute | ||
Davide Cazzaro | An eccentric debut. A little entangled but some parts are great. | |
Darcy Paquet | Seems to aspire to Kusturica, but falls significantly short. | |
Some | ||
Adam Hartzell | I like to think about what could have been more than what was. | |
Elif Kaya | A different sort of storytelling, but that's about it. | |
Kyu Hyun Kim | Slinky and entertaining. The deja vu stuff is a total tease, though. | |
Someone Special | ||
James Brown | Curveball romance that delightfully surmounts its chestnut hook. | |
Davide Cazzaro | A big disappointment. Take a look at Jang's first two films. | |
Tom Giammarco | Good acting, loved the characters. | |
Elif Kaya | A different sort of rom com, give it a try. | |
Kyu Hyun Kim | Don't say Nay(oung) to this charming & quirky Jang Jin romance. | |
Darcy Paquet | Jang Jin's best film to date, and an absolute pleasure to watch . | |
Spider Forest | ||
James Brown | Too intense, but genuinely mysterious. | |
Davide Cazzaro | Surprisingly underrated. Great story and atmosphere. | |
Tom Giammarco | Wonderfully atmospheric and full of symbolism. | |
Kyu Hyun Kim | Song Il-gon's empathy overcomes the art-movie trappings. | |
Spin Kick | ||
Tom Giammarco | Similar to many films about underdog athletes, but fun anyway. | |
Elif Kaya | Nothing new here, average. | |
Springtime | ||
Tom Giammarco | Strong, simple film made better by Choi Min-shik's acting. | |
Adam Hartzell | That man Choi Min-shik's got mad skills and mass range. | |
Spy Girl | ||
James Brown | Kim Jeong-hwa's magnetism is an ace in the hole; the rest is junk. | |
Tom Giammarco | Like Kim Jeong-hwa, but the film is very childish. | |
Adam Hartzell | There's nothing secret about this film's service to a burger chain. | |
Kyu Hyun Kim | Please stop insulting N. Koreans by making "comedies" about them. | |
Sweet Sixties | ||
Adam Hartzell | I wanted this to be so much better than it was. | |
Kyu Hyun Kim | A pleasant comedy for the nostalgically inclined. That's all. | |
Taegukgi | ||
James Brown | Wildly overblown, histrionic, mind-numbing bombardment. | |
Davide Cazzaro | Welcome to "Seoullywood". | |
Tom Giammarco | Captured the heart of the nation--with good reason. | |
Adrien Gombeaud | Not worse than a Michael Bay Film... not better either. | |
Adam Hartzell | Kang continues his reign. | |
Elif Kaya | Melodramatic, grand and gritty, a must see for Korean cinema. | |
Kyu Hyun Kim | Surprisingly effective, considering its ersatz Spielbergianisms. | |
Three... Extremes | ||
Tom Giammarco | Miike Takashi's Box is the best of the three shorts. | |
Elif Kaya | Cut: gory, superbly acted, moody and funny. | |
To Catch a Virgin Ghost | ||
Adam Hartzell | It is what it is, unless I'm seeing something that isn't there. | |
Tom Giammarco | Interesting mix of genres takes a predictable twist. | |
Kyu Hyun Kim | Wish all the jopok got killed off in the first five minutes. | |
Too Beautiful To Lie | ||
Darcy Paquet | Overly cute, but not entirely ineffective. | |
Elif Kaya | Silly, entertaining and heartwarming, only to rom com lovers. | |
Two Guys | ||
Tom Giammarco | If you think hitting people is comedy, you'll love this film. | |
When I Turned Nine | ||
Adam Hartzell | I don't think I'll like these kids even when they turn 30. | |
Elif Kaya | Exceptional child actors, decent story. | |
Windstruck | ||
James Brown | Kwak varies & depletes his pet subject with a dash of self-reflection. | |
Adam Hartzell | I've suffered enough, Kwak, shorten your films, please! | |
Tom Giammarco | Winner of the award for Most Product Placements. | |
Elif Kaya | Wasted leads in an obvious cash-in job. | |
Darcy Paquet | Not as bad as its rep, but no Sassy Girl. | |
The Wolf Returns | ||
James Brown | Those crazy days of summer. Is the cops and robbers plot necessary? | |
Tom Giammarco | Entertaining while watching but instantly forgettable. | |
Darcy Paquet | Seemed like a good idea, but the humor feels forced. | |
Woman is the Future of Man | ||
James Brown | Gloomy, instantly forgettable affairs. | |
Filmbrain | Hong IS the future of cinema. Gets better with each viewing. | |
Adrien Gombeaud | Hong touches the frontiers of fantastic cinema. | |
Adam Hartzell | My least fave Hong film, but there's tough competition. | |
Elif Kaya | A masterpiece. | |
Kyu Hyun Kim | Clever and funny as usual, but Hong's drunks are getting tiresome. | |
Boris Trbic | A poignant, intriguing tale about love and growing up. | |
Participating critics include: Paolo Bertolin (Italy, based in Berkeley, CA), James Brown aka katsuben (originally New Zealand, based in Adelaide, Australia), Davide Cazzaro (based in Venice, Italy), Filmbrain (based in NY), Tom Giammarco (US, based in Samrye, North Cholla Province, Korea), Adrien Gombeaud (Paris, France), Adam Hartzell aka atom (US, based in San Francisco), Elif Kaya aka Eliza Bennet (based in Istanbul, Turkey), Kyu Hyun Kim (US/Korea, based in Bay Area, CA), Darcy Paquet (US, based in Seoul), Mark Russell (Canada, based in Seoul), Boris Trbic (based in Melbourne, Australia). Please understand that many of our critics live outside Korea, so there may be some delay before they are able to watch new films.